The grim reality is that the entire reason Overwatch 2 Season 12 Skins 2 exists is to change the way Blizzard makes money. All of the meta changes, like the battle pass, Coin system, and locking new players out of content until they grind enough, are designed to increase revenue and engagement metrics. I don’t think we should ignore that or give Blizzard a pass, and if that’s enough to get you to give up on Overwatch 2 I don’t blame you. As someone who still loves the game, I’m willing to accept fewer free rewards if it means more frequent updates and better events. It’s simply too soon to write it off for me. I need to see how the devs respond to feedback and how much the game changes over the next year. None of this is ideal, but in the long run, it could end up being exactly what Overwatch nee

But by essentially disabling the first Overwatch, Blizzard is fucking over people who paid money for the game. It doesn’t matter if they get free content for owning the first game - it doesn’t mean anything if you can’t still play original content you specifically paid for. I don’t care if Overwatch 2 is bigger and badder than ever before! When I buy a game, I’d love to be able to play that game. And if you’re shutting down a game’s online capabilities, at least be honest about it. Don’t talk like you’re doing people some grand favor.

If you’re not intimately familiar with Overwatch, it might be hard to tell Overwatch 2 is even a different game. It has a few new characters and some new maps, a new game mode called Push, plus some subtle character redesigns, but it's largely the same game it's always been. But if you’ve been an active Overwatch player, a lot of the subtle changes have actually made a pretty big differe

Though Hanzo’s sniping may be outdone by Widowmaker’s hitscan rifle, his ability to play mid-range makes him a better pick for offensive modes and maps lacking long sight lines, such as the best map, King’s

And yet, I remain hopeful. I’ve never been accused of being an optimist, but I think Overwatch 2 has a potential that the original was never going to realize. There’s plenty to criticize about Overwatch 2, but there’s also some things we can appreciate. Four or five years down the road, we may just find Overwatch 2 in a better position than Overwatch was ever going to be in. Blizzard has done a horrendous job marketing and championing this game, but allow me to take a stab at it: I think Overwatch 2 is a better game, and the things we hate are going to end up being necessary evils that ensure it stays alive and healthy for many years to c

What Overwatch really needed was the same thing that every live-service game needs: content. While development of Overwatch 2 caused a lengthy drought in the original, Overwatch wasn’t exactly on par with the rest of the live service game market either. A new hero every few months and a rehashed holiday event just weren’t cutting it. There’s a lot of people moaning about the new seasonal model in Overwatch 2, but if they were being honest, most of them would admit Overwatch wasn’t holding their attention. The luster fell off Overwatch after a couple of years, and the quarterly cadence of a new hero or map was not going to keep Overwatch al

Of course, we had awesome women like Mei and Zarya amongst the cast, but there was D.Va, Tracer, and Widowmaker strutting their stuff alongside them. Overwatch was a real sticking point in our development as horny gamers, and a willingness to embrace sexuality in our games and view it as something to no longer be ashamed of. Overwatch was a stepping stone to this point, but a stone covered with the slippery moss of the mid ‘10s Whedonised feminism, where the best way to make a female character strong was to make her sexy too. Putting aside the smut, I was invested in some of the game’s queer ships for years, whether it be through tasteful fanart or brilliantly written fiction that understood these characters better than Blizzard ever will. Pharmercy till I die. You know Overwatch was something special because it made you care, and the relative indifference from Blizzard in the years since is almost upsetting.

Though her Pulse Pistols have been nerfed and now deal a point less damage per bullet, due to an armor overhaul, she deals more damage to armored targets than before. Like other quick-firing heroes, Tracer can make short work of most enemies if exploiting their weak spots and dealing critical h

Overwatch’s corporate identity was clear to see through its diverse cast and clear attempts at inclusion, made worse by queer characters who were never given any strong narrative within the world itself. On the surface it was a bold statement, but dig any deeper, and you were left wanting so much more as Blizzard chased demographic approval. Its universe had so much potential for excellent stories and worthwhile sociopolitical commentary, but this clear ambition was brushed aside as the years went on in favour of recycled seasonal events and development of a sequel that is only now lumbering towards the finish line. I once looked up to Overwatch, but now I can’t help but view its failings and cynical business practices for what they really are. I still love so much about it, and the warm memories it brings to the forefront of my mind are clear proof that Blizzard struck gold with this one.