While you don’t get to explore the world, you are given the chance to look around in order to find clues that lead to the next event. The episode doesn’t stray at all from the Mcversehub blog the original and even gives you the opportunity to fight zombies and craft items to make you feel more at home, feeling a little bit like a tribute. As stated before, you don’t have to have prior knowledge of the game in order to enjoy this but some you should have some prior knowledge to understand the terminology and some of the jokes. 'Ender Dragon' and 'Wither' are not really words that everyone has in their everyday vocabulary but knowing about them will give you better understanding of why they’re bad and why the situation that Jesse and his friends are in is bad.

Fans surely know of those particularly tense moments in Minecraft that involve scrambling to build a makeshift fortress to live out the hostile night. Well, they can look at Craft The World as a more fleshed-out, two-dimensional version of that experience, with some fun tower defense eleme

See, Mario and Sonic weren't mascots because they fulfilled a certain percentage of demographic requirements or someone felt they could best be easily packed into a happy meal, but rather because they clearly represented exactly what you got with the product their faces were associated with. If you bought Sega, you got Sonic games. If you went Nintendo, Mario was your man.

Its graphics are certainly nothing to write home about, but what it lacks in visual fidelity, it more than makes up for elsewhere. The game features a slew of old-school RPG mechanics and combines them with some of the more recent survival game concepts to great effect. Choices feel meaningful and gameplay is fluid which together leads to a wonderful experience whether playing on one's own or together with a fri

Originally based on DayZ , the game has gone on to find its own identity and has become one of the most popular online survival games out there. It features crafting, base-building, hunting, and PvP as well as a wide range of customization options. The game has now sold more than nine million copies and maintains a strong and dedicated fanbase to this day. This means that finding people to play with remains simple even in spite of the game's advancing ye

Even better, indie games can afford to lose. They are often low cost, low maintenance, high concept works that don't rely on reaching a certain figure to be considered viable, and as such they can throw caution to the wind and take some big risks while still making a profit off of even the most modest sales. That means they can also afford to remain loyal to a system like an undertaker with a debt to the don, as while they might want the money that can come with being a multi-platform release, what they need is the backing and spiritual support of a major company like Sony, Microsoft, or Nintendo to get their games out there. A backing that is no longer lip service and is becoming very, very real.

The action from the first episode hasn't left at all and if anything, managed to speed itself enough where you practically have to do a second playthrough just to catch it again. There are plenty of moments that could have been explained more and it's upsetting that they weren't in the short time it took to finish the episode. Things like Olivia's disappointment in finally meeting her hero and Lukas' role in Jessie's group of friends could have been touched upon a little bit more but the fact that they weren't makes me fear for future episodes. It leaves you with a, "oh, that was it?" feeling that should never be felt while playing any game, especially right when you begin getting into the action and quickness of it all. Hopefully, the third episode will capitalize on a few more important moments within the main character’s development and slow down a little in order to give everyone the attention that they deserve.

Minecraft: Story Mode - Episode 2: Assembly Required doesn't meet the bar that the previous episode set, but that doesn't rule it out as awful. The fact that it relies on environments to cover the fact that there's really nothing to do/talk about gives reason as to why forked paths are rarely done in games. There are no new innovations and because of that, the story should be a little stronger, but instead stumbles. Hopefully, with the potential that the series holds, the following episode will focus more on Jessie and give players a much wider variety of things to do, decide and explore.

Each path differs in gameplay as Magnus’s path is a lot more action-oriented with the introduction of Boom Town and 'griefers.' Of course, we all know 'griefers' from the original game as annoying players who would blow stuff up. Because of this, QTEs (Quick Time Events) are utilized that were so popular in the previous episode to dodge TNT. Ellegaard’s path isn’t as action oriented and focuses more on puzzles and the character focus from the very first episode. There is a lot more dialogue in this path and a lot of it makes up the funnier aspects of this episode. This episode capitalizes on the voice actors that Telltale has gotten together like Corey Feldman (Magnus), who played Mouth in The Goonies, and Grey Griffin (Ellegaard), famous for playing Daphne Blake in the Scooby-Doo cartoon movies that bring the characters to life.