Another aspect of Resident Evil 4 that was innovative for the time was its sense of scale, despite its linearity. Leon runs through rural Spanish villages, mineral mines, gothic castles, modern military installations, etc. Even in its 15-20 hour runtime, players travel to such an interesting variety of locales that the game is perceived to be much grander than it is. Even now, as the game creeps up to 15 years old, the world of Resident Evil 4 has a sense of sprawl balanced perfectly with its actual size. Now with modern technology allowing for higher graphical fidelity, a remake could see that scale expanded with larger highly detailed environments further beyond what the GameCube was capable of. Invoking that sense of scale that was so impactful in the original game would be perfect for a Resident Evil 4 rem

This new game will feature the same style of over-the-shoulder camera that was featured in the Resident Evil 2 remake (and was made famous for the series in _ Resident Evil 4 _ ). Zombies ostensibly have the same style of AI mechanics that was found in the previous game, as they lunge at the player creating an engage-or-dodge situation. There is a brief shot where Jill Valentine shoves an attacking zombie off of her, a staple mechanic of the series, and shooting is also largely the same with the exception of the subtle differences that can be found between the styles of Jill, Leon Kennedy, or Claire Redfi

Compared to dodging in the original Resident Evil 3 , this should be a cakewalk. That said, there is no denying that the timing for a perfect dodge is pretty tight, and since every enemy has a unique dodge window, it certainly won't come easy. Still, practicing against enemies will see players get better at the technique rather swiftly, and it really will make a difference in gameplay moving forw

With Resident Evil 3 Remake's release approaching and looking to capture similar success as Resident Evil 2 Remake released the previous year, and Devil May Cry 5 seemingly reviving the series with an impressive 2.1 million copies sold, there are a lot of options on the table for which Capcom can build upon by utilizing hit titles from the p

The objective of the game is either for the survivors to successfully escape before time runs out or for the Mastermind to stop them. The Mastermind uses multiple cameras through the facility map to keep surveillance on the survivors while utilizing different cards to spawn traps and monsters, such as zombies, zombie dogs, lickers, and even the Tyrant itself, Mr. X. The Mastermind can also control these monsters at certain poi

Additionally, there was a major change to Resident Evil 2's Plant 43 villain in the Remake, which is worth noting here. In reviewing all the enemies that were removed or did not make it to the final cut of this game, perhaps there is a chance that some appear in the upcoming Resident Evil 3 Rem

This type of design would seemingly work best in a more open and non-linear map layout of Raccoon City, contrary to Resident Evil 2 's remake and all other Resident Evil games thus far, which could be fairly unique. It would make sense to have Jill moving around the streets of a Raccoon City hub-map utilizing different methods of avoiding the Nemesis as it tries to stalk her. The Nemesis may have his own arsenal of tracking methodologies , which sounds similar to the way in which the developers describe the enemy as having actual "ways" of tracking

In summary, Resident Evil 2 added some new enemies, such as the Ivy Zombies, made some drastic changes, such is the case of Plant 43, while some of the enemies in the original game were absent, including spiders, moths and crows. While there was some ambitions to include some drastically new enemies, as shown in the concept art, they never made it to the final cut. In the end, the remake Zelda Tears of The Kingdom shrines Resident Evil 2's zombies sticks very close to the familiar grounds of the original in terms of its choices of enemies and their overall design, functions, and l

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Remaking Resident Evil 4 poses an interesting opportunity for Capcom, an undertaking very different in comparison to remaking the classic Resident Evil titles. Considering the technical gap from the original PlayStation to current-gen consoles is gigantic, Resident Evil 2 and 3 received a lot of love for their respective reimaginings. The fourth Resident Evil game is still widely considered a relatively modern entry in the series, despite showing its age in several aspects. Capcom's development team could strike the perfect balance of new and old in giving one of the best Resident Evil titles a proper reimagin